A prominent theme in the story is that of white elephants; it is in the title, and the girl mentions that the hills look like white elephants a few times. The term white elephant is often used to describe something that is unwanted, and in this story it refers to the girl's unborn baby. While this isn't said outright, it can be gathered by reading into the story. The man is trying to convince the girl to have a simple operation, which would only "let the air in", and the girl can't decide whether or not to do it. The indecision on whether or not to keep the baby is shown when she decides that maybe the hills don't look like white elephants after all, they are just colored the same.
Another theme in the story is that of communication. The man and the girl talk to each other the whole story, yet they don't really seem to listen to what the other person is saying. They try to avoid talking to each other by drinking, which the girl points out is all they seem to do. This belies the problems that the couple is having, and shows that, even if the girl does have an abortion, their relationship won't go back to normal like the man says.
The story is set in a train station in between two cities, which represents the fork in the couple's relationship. At the end of the story the man goes one way while the girl stays behind at the table, symbolizing the fact that their relationship is over and they both know it.
All in all, I think it's a great story. Kind of depressing, but a good read if you take the time to read it more than once and to think about it.
Thank you for joining us for "Scintillatingly Sanguine Short Story Stints" with Nick Neuman, and we hope you will be with us again next week when we discuss Judy Blume's "Tales of a Fourth Grade Nothing."
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